Pan's Labyrinth Faun Wants to Sacrifice the Baby

Edit

Jump to:

• Summaries (6)
• Synopsis (ane)

Summaries

• In the Falangist Kingdom of spain of 1944, the bookish young stepdaughter of a sadistic regular army officer escapes into an eerie merely captivating fantasy world.

• In 1944 Falangist Kingdom of spain, a girl, fascinated with fairy-tales, is sent forth with her pregnant female parent to live with her new stepfather, a ruthless helm of the Spanish army. During the night, she meets a fairy who takes her to an old faun in the center of the labyrinth. He tells her she's a princess, but must testify her royalty past surviving three gruesome tasks. If she fails, she will never prove herself to exist the true princess and will never see her real begetter, the male monarch, again.

• In 1944, in the post-Civil War in Spain, rebels still fight in the mountains against the Falangist troops. The immature and imaginative Ofelia travels with her significant and sick female parent Carmen Vidal to the state to meet and live with her stepfather, the sadistic and cruel Captain Vidal, in an erstwhile mill. During the night, Ofelia meets a fairy and together they get to a pit in the center of a maze where they encounter a faun that tells that she is a princess from a kingdom in the secret. He also tells that her father is waiting for her, only she needs to reach three gruesome, tough and unsafe assignments first. Meanwhile, she becomes friend of the servant Mercedes, who is the sister of one of the rebels and actually is giving support to the grouping. In a dark, harsh and tearing earth, Ofelia lives her magical globe trying to survive her tasks and sees her father and male monarch again.

• Ofelia's dearest of fairy tales is obvious from the showtime of El Laberinto del fauno. Set in the non so tranquil Castilian woodlands of Earth War 2, where a pocket-size ring of anti-Falangist rebels are hiding out. This is where Ofelia and her pregnant mother have come to live, in the company of Capitán Vidal, Ofelia'south new stepfather and shortly to be male parent of her half-brother. Information technology is with the cruel, unforgiving and totalitarian idealist Capitán Vidal, and his Falangist troops, who must weed out these resistance fighters of the hills and woods, that Ofelia finds her release and lark of the new world order and its warring factions and delves into the older, mysterious and enchanting world of fairies, faun'southward and giant frogs. Cute, charming, graphic and mortiferous. El Laberinto del fauno.

• Set in Spain during World War Ii. This is the story of a young girl named Ofelia. She is a girl who has a passion for fairy tales, which causes her to run across one during her trip on the woods that is not quiet. She goes to her stepfather's home in the country forth with her pregnant but sickly female parent, he is the sadistic Captain Vidal. Ofelia creates an imaginary globe of her own to escape the cruel and harsh realities of the globe. When she encounters a faun, she must complete iii tasks in lodge to obtain immortality according to the legend of a princess.

• The story takes identify in Spain, a few years after The Ceremonious War, which ended in 1939 with General Franco emerging victorious and taking over as Dictator of Spain. The Resistance has fled into the forests, simply are looking to bounciness back at any opportunity. Among this setting, the narrative of the film intertwines the real earth with a mythical globe centered on an overgrown abandoned labyrinth and a mysterious faun beast, with whom the main character, Ofelia (Ivana Baquero), interacts. Ofelia meets several foreign and magical creatures who become key to her story, leading her through the trials of the old labyrinth garden. On successful completion of her tasks, Ofelia bears the chance to attain immortality by ascending the loftier throne of the underworld as Princess Moanna. Parallely running, is the story of Helm Vidal (Sergi Lopez), the son of a brave Commander who died in a boxing in Morocco, who is posted on an Ground forces outpost in the forest surrounded by the Resistance men. He takes Ofelia's female parent Carmen (Ariadna Gil) as his wife, after the decease of Ofelia'due south begetter. There is country control over the rations to forbid information technology from reaching the Resistance men hiding in the forests and amid this he plays an evil character who is impossible to defend. Mercedes (Maribel Verdu), Vidal's housekeeper, who is secretly supporting the rebels is besides supported past Dr Ferreiro (Alex Angulo) in her mission. Midway in the movie, The Resistance, in a stroke of luminescence, are able to overpower the men at the outpost and proceeds admission to the rations leaving the Captain and his men dumbfounded. This incident in the movie, shifts the tide in favor of the Resistance. Shortly after, Vidal discovers that his housekeeper Mercedes is a spy. Ofelia is locked in her bedroom, and Mercedes is taken to exist tortured. However, she frees herself, stabs Vidal, and rejoins the rebels. The faun returns to Ofelia and tells her to bring her infant brother into the labyrinth. Vidal pursues her. The faun tells Ofelia that opening the portal to the underworld requires the blood of an innocent. The faun suggests a few drops of her baby brother's claret. Ofelia refuses to harm her brother; for farther disobeying his orders, the faun refuses to help her. Vidal finds Ofelia talking to someone (the faun) whom Vidal cannot run into. Vidal takes the baby from her artillery and fatally shoots Ofelia; so, when he reaches the labyrinth's entrance, he is surrounded past the rebels who have taken over the outpost. Knowing that he volition be killed, he hands the baby to Mercedes. One of the rebels kills Vidal. The motion picture ends with drops of Ofelia's claret falling down the center of the spiral stone staircase onto an altar. Ofelia then appears in a golden throne room. The king of the underworld says that she passed the final test, which was to choose to spill her ain blood rather than that of her infant half-blood brother.

Spoilers

The synopsis below may give abroad of import plot points.

Synopsis

• An unseen narrator (Pablo Adán's voiceover) tells of an cloak-and-dagger kingdom that was devoid of lies or hurting. Long ago, the young princess of the realm escaped, curious to meet the world above, but was blinded by the vivid sunlight and all memories of her past were erased. She eventually succumbed to the natural world as her inability to adapt to her new surroundings left her helpless. Her father, the Male monarch, remained hopeful that his girl would return to her kingdom someday, in some other place and time.

  Espana; 1944. The Spanish Civil War has been over for five years merely small groups of guerrilla rebels continue to fight against the new fascist dictatorship led by Francisco Franco. X-twelvemonth-quondam Ofelia (Ivana Baquero), a quiet lover of books and fairy tales, is travelling with her mother, Carmen (Ariadna Gil), to the rural village of Navarra where Carmen'due south new married man, Captain Vidal (Sergi López), an officeholder of Franco's regular army, is stationed with his men at an erstwhile mill. Carmen is heavily pregnant with Vidal's child. Ofelia's male parent, a tailor, had died during the state of war.

  When Carmen and Ofelia go far at the mill, stern Vidal shows little concern for his new stepdaughter but takes peachy care to ensure that Carmen's pregnancy progresses smoothly. He commissioned a local doctor, Ferreiro (Alex Angulo) to stay at the manufactory and tend to Carmen. Ofelia wanders off to the nearby woods where she discovers a foreign stone structure. She is constitute by Vidal'due south housekeeper, Mercedes (Maribel Verdú), who explains that the structure is an ancient labyrinth that Ofelia should not enter, lest she get lost. Mercedes gently ushers Ofelia back to the firm.

  Ofelia and Carmen settle into their bedroom. Dr. Ferreiro speaks with Vidal in his written report, explaining that Carmen should not have traveled in such a late stage of an already difficult pregnancy. It becomes increasingly obvious that Vidal but values Carmen every bit a vessel for his kid, which he is certain will be a son to carry on his name. Vidal'south tyrannical atmosphere is revealed that night when he brutally murders two peasants whom his men mistook for rebel fighters, but who were merely farmers hunting for rabbits. Vidal realizes this after the men are dead, but blames his soldiers for the error, barking that they should "acquire to search these assholes properly" before consulting him.

  That night, Ofelia sleeps abreast her mother. In the eye of the night she is woken by the sound of fluttering wings and beholds a large insect she'd spotted during the the journeying to the manufacturing plant. Subsequently Ofelia shows the insect what she considers a fairy to look like in a book, the insect transforms into a tiny humanoid fairy, and gestures to Ofelia to follow information technology. It leads her exterior to the stone labyrinth. When Ofelia reaches the underground center of the maze,she is greeted past a faun, (Doug Jones, voiced by Pablo Adán), a supernatural creature that is half-man, half-goat. He explains to Ofelia that she is really the long-lost Princess Moanna from the clandestine realm. The faun explains that he had been sent past the Male monarch to bring her home, but that she must offset prove herself worthy of returning.The faun presents Ofelia with a magic book that will detail three tasks which she must complete past the next full moon. The kickoff task, he explains, is to think a key from the stomach of a giant toad that lives below a fig tree in the forest. He gives her three magic stones which she must feed to the toad. He also tells Ofelia to expect for a moon-shaped birthmark on her shoulder that identifies her every bit the princess.

  Meanwhile, Mercedes and Dr. Ferreiro are risking their lives past secretly aiding the group of rebels hiding in the woods, one of whom is Mercedes' blood brother Pedro (Roger Casamajor). Since Vidal had decided to starve out the rebels by keeping all available food and medicine locked up in the manufactory's storeroom, Mercedes and Ferreiro must smuggle the goods silently in the dead of night. Both are all as well aware of the sadistic violence Vidal inflicts upon those who disobey him.

  Captain Vidal is hosting a banquet at the mill for some local political figureheads.Carmen expects Ofelia to attend, and presents her with a beautiful new dress and shoes for the occasion. Ofelia accepts the gifts with lukewarm gratitude, as she is distracted by the idea of the showtime job. Every bit Ofelia prepares to take her bath, she examines the magic book, which informs her that the job must take place that 24-hour interval.

  Shortly earlier the dinner party, wearing her new apparel, Ofelia escapes to the woods. She finds the fig tree and crawls into the cavern below. She manages to feed the magic stones to the enormous toad, which vomits out its insides. Ofelia finds the key amid the sticky mess, and departs. She returns to the firm, her new dress ruined. Carmen sends her to bed without supper.

  During the banquet, Vidal's rigid views become credible. He vows not to rest until every insubordinate is shot dead. The town mayor (Juanjo Cucalón) recalls existence in the army with Vidal's male parent, who, upon his death, smashed his watch on a rock to ensure that his son would know the verbal time of his demise. Vidal dismisses this, claiming that his father never owned a watch (though he is seen several times meticulously cleaning an old broken pocketwatch in his study).

  Despite her punishment from her mother, Ofelia is pleased with her success at completing the first chore. Checking on the magic book again while taking a bath, claret-reddish ink begins to spread over the folio in the shape of a womb. A thud is heard in the bedroom and Ofelia finds her mother collapsed on the floor, hemorrhaging from her uterus and begging for help. Dr. Ferreiro stabilizes Carmen with a powerful sedative and informs Vidal that the outlook for his wife is grim: she must remain on strict bed rest. Vidal orders the md to save his son, even at the expense of his wife'south life. Ofelia is sent to a separate bedroom and is comforted by Mercedes, who has become Ofelia's friend and protector as Carmen grows weaker and weaker.

  Vidal and his men continue to hunt for rebels in the wood. While examining a recently abased campsite, Vidal finds a modest drinking glass vial of antibiotics, which he optics suspiciously before pocketing.

  During the dark, the Faun appears in Ofelia's room and asks why she has not begun the 2nd task yet. Ofelia explains that her female parent is not well. The faun gives her a mandrake root, explaining that, when placed under her mother's bed in a bowl of milk and fed with drops of blood, it will amend her wellness. Ofelia obeys, feeding the the humanoid mandrake nether Carmen's bed with her claret from her finger. Carmen's status quickly improves, and Ofelia is now free to brainstorm her adjacent job.

  That night, Ofelia is again visited in her room wall by the Faun who gives her instructions for her second task, which involves invading the lair of a feared monster and retrieving a gilded dagger. Above all things, Ofelia is warned explicitly to not eat any of annihilation from the enormous banquet that she will observe laid out on a table within the lair. The Faun gives Ofelia a piece of magic chalk, an hourglass, and the aid of three fairies. She is to use the chalk to draw a magic door leading to the monster's lair, flip the hourglass, and render with the dagger before the last grain of sand falls.

  After forging the other-worldly door through her bedroom wall, Ofelia follows a hallway to a large room where a magnificent feast is ready out on a large table. At the caput of the table sits a kid-eating creature known every bit the Pale Man (Doug Jones), completely motionless, with 2 eyeballs set on a plate forepart of him. Ofelia finds that the creature is immobile and doesn't answer to her presence. On the walls she sees hideous paintings of the Pale Man devouring children, and a large pile of children's shoes in a corner of the room. On the far wall are three cabinet doors,one of which she unlocks with the key she retrieved from the toad, and removes the desired dagger from within. As she begins to leave, she pauses beside the table and optics a platter of grapes. Enchanted past the food and very hungry, she ignores the previous warnings of the Faun'southward and the present warnings of the fairies. Ofelia plucks a grape from the agglomeration and eats information technology. The fairies frantically try to alarm her as the Pale Man jolts awake, inserting the eyeballs into sockets in his palms. Non seeing this, Ofelia eats another grape before she turns to see the Pale Man budgeted her. The fairies attempt to distract the creature but he grabs 2 of them and eats them. Horrified, Ofelia runs with the last fairy. The Pale Homo chases Ofelia down the hallway. In horror, she notices the chalked doorway endmost as the hourglass runs out. All the same, Ofelia manages to depict some other doorway in the ceiling and barely escapes back into her room.

  Mercedes and Ferrerio make another unsafe visit to the rebels in the woods, bringing them supplies from the storeroom. One of the rebels, Francés (Gonzalo Uriarte), is suffering a from an infection in his leg from a bullet wound. Doctor Ferreiro determines the leg must be amputated before gangrene spreads beyond information technology, and takes on the unpleasant task in the rebel hideout.

  The Faun revisits Ofelia in her room and she gives him the dagger, but admits that something went wrong during the second task. The remaining fairy guide angrily whispers in the Faun's ear, explaining Ofelia'due south defiance. He admonishes her for her recklessness and tells her that, with the full moon but three days away, she may never prove herself worthy of returning to her kingdom. He vanishes, leaving Ofelia alone and in misery.

  The adjacent mean solar day, loud crashing sounds are heard though the woods. Vidal assembles his men and they rush into the woods to confront what they assume to exist attacking rebels, simply discover a batty train, an apparent decoy motion, and no rebels in sight . Vidal returns to the mill to detect that the storeroom is missing a big amount of supplies. He also sees that the lock is not cleaved or tampered with. This leads him to doubtable Mercedes, since she carries the only primal to the storeroom. He questions her, but she assures him that she had cypher to exercise with it.

  Vidal and his men finally have a directly shootout with the rebels ane rainy day in the forest. They callously shoot all the seriously wounded men they find, only when they discover a rebel sustaining only a leg wound, they booty him to the storeroom for interrogation. Mercedes presently learns that a insubordinate has been captured for torture, and rushes to the storeroom in fear that it is her blood brother Pedro. Mercedes catches a glimpse of the human being's desperate face before the door swings shut and sees that the unfortunate prisoner is non Pedro, but an associate nicknamed Tarta (Ivan Massague).

  Vidal casually shows Tarta the array of tools that he will be using to "extract" information about the rebels. Noticing that Tarta speaks with a heavy stutter, Vidal taunts him with a proposition: if Tarta can count to iii without stuttering, he will be fix complimentary. Vidal addresses his 2nd-in-command, Garcés (Manolo Solo), who confirms Vidal'due south power to release him. Tarta attempts Vidal'south claiming, but fails. Vidal begins the torture.

  Dr. Ferreiro is afterward summoned to the storeroom by Vidal, who wants him to strengthen Tarta for another circular of interrogation. Ferrerio is horrified to see Tarta reduced to a broken, encarmine pulp who is begging for death. Ferrerio gently euthanizes the poor homo, angering Vidal, who fatally shoots Ferrerio as he departs the storeroom. Vidal had too discovered vials of antibiotics in the doctor'south example that were identical to the ones found at the rebel campsite, confirming Ferrerio's involvement in aiding the rebels.

  Later, Ofelia checks on the mandrake beneath her mother's bed. She is interrupted violently by Vidal, who discovers the mandrake root with cloy. Carmen wakes and Vidal shoves the milk-soaked mandrake into her hands, chastising her for letting Ofelia read fairy tales and get silly ideas. Carmen insists on speaking to Ofelia lonely, and Vidal leaves them. Though Carmen and Ofelia had a close and loving relationship, Carmen'due south sad and dismal view of the earth made a abrupt contrast with her daughter'southward optimistic innocence. Carmen attempts to prove to Ofelia that magic does non exist, and throws the mandrake root into the blazing fireplace. Moments later, Carmen collapses in pain. The mandrake, which had become the embodiment of Carmen'southward health, is destroyed in the flames.

  Carmen is dragged into a harrowing labor which she does not survive. She delivers a healthy son, which is satisfaction enough for Vidal, but Ofelia is devastated by her mother's death.

  Now orphaned and at the mercy of her evil stepfather, Ofelia's just ally is Mercedes. Ofelia admits to Mercedes that she knows that she and the doc had been helping the men in the forest, but swears to go along the secret to herself. Vidal summons Mercedes to his study that nighttime, casually musing about how the storeroom could have been opened and so easily when she had supposedly given him the but central some time before. Mercedes, knowing that Vidal has discovered her secret, prepares to escape the mill that night. She stops by Ofelia's room to say goodbye, but ends upwards bringing her along as the girl begged non to exist left alone at the manufacturing plant.

  Mercedes and Ofelia try to escape that rainy dark, but are chop-chop apprehended by Vidal and his men. Vidal drags Ofelia back to her bedroom, furious that she had known virtually Mercedes and Ferrerio aiding the rebels. He locks her in her room, giving his men orders to impale her if anyone tries to pause in. He and so returns to the storeroom, where Mercedes has been brought and leap for torture.

  Vidal begins the same spoken language he gave to Tarta, showing Mercedes the diverse tools he will employ to extract information from her. While his back is turned, Mercedes cuts through her binds with a small paring pocketknife kept hidden in her frock and attacks Vidal, plunging the bract into his dorsum then shoving it into his oral cavity. She furiously warns him non to damage Ofelia, and so slashes the knife through the side of his cheek before fleeing into the forest. Vidal, non quite incapacitated, orders his men to bring her back at one time.

  Mercedes arrives at a immigration in the wood before several of Vidal's men catch upwardly to her on horseback. Garces tauntingly approaches her, but a barrage of shots ring out from the surrounding trees, shooting all the men off their horses. The surviving rebels sally from the wood, led past Pedro, who embraces his sis equally she weeps with relief.

  Locked abroad in her room, Ofelia is visited again by the Faun. He has decided to grant her one concluding take chances to testify herself every bit Princess Moanna. He tells her that the third and final task is to fetch her infant brother and take him into the middle of the labyrinth. Ofelia escapes her chamber using the piece of magic chalk and sneaks into Vidal'due south quarters where the baby boy is kept. Ofelia takes a bottle of sedative previously administered to her female parent past Ferrerio and hides in Vidal'south room, watching him sew up the horrid gash in his cheek. While he is distracted, Ofelia drugs his drinking glass of scotch heavily with the medicine. Every bit he drinks, gunfire and explosions erupt as the rebels begin an attack on the manufactory. Vidal rushes to the doorway just begins to stagger as he begins feeling the effects of the drugs. Vidal makes out the membranous prototype of Ofelia continuing in the doorway holding the baby, who she had gently taken from his cradle. Vidal stumbles afterward Ofelia as she runs to the labyrinth with her brother.

  When Ofelia reaches the center of the labyrinth with the infant, the Faun is waiting for her with the dagger from the Stake Man's lair. The Faun explains that the full moon is nigh and that the portal to the underground realm, Princess Moanna's kingdom, must be opened with the blood of an innocent. He says he needs a drop of blood from the baby-just a pinprick-to open the portal and return Ofelia to her true home. Ofelia staunchly refuses to let her baby brother be harmed in any way, and insists she would surrender her run a risk at entering the heavenly kingdom for him. Vidal finally catches up to her and sees her talking to nothing simply air. He forcibly takes the baby and shoots Ofelia in the stomach before departing the labyrinth. As Ofelia begins to bleed out, she collapses onto the stone portal in the lesser of the maze. Her claret begins to drip into the portal, and she faintly smiles as her body becomes still.

  Vidal exits the labyrinth with the baby, only to be met past a score of armed rebels (including Mercedes) waiting for him. Knowing he cannot escape them now, he calmly hands his son to Mercedes, asking her to tell him one solar day what time is father died. Before he can finish his final asking, Mercedes firmly assures him that the boy "won't fifty-fifty know your name." Pedro then shoots Vidal in the face, leaving him expressionless at the entrance to the labyrinth.

  Mercedes and the rebels rush into the labyrinth and observe Ofelia bleeding out into the stonework. Mercedes weeps uncontrollably every bit Ofelia draws her terminal breath.

  Every bit Ofelia leaves the mortal globe, she is transported to a grand hall and sees both her parents, alive again, sitting atop alpine thrones. She has been called dwelling house as Princess Moanna at last, to be reunited with the King and Queen. The Faun appears and explains that the last "task" was a test of honor and integrity. Because Ofelia offered her own blood to open up the portal instead of her brother'south, she proved herself brave and kindhearted enough to re-enter the cloak-and-dagger realm.

  The narrator explains that Princess Moanna became the eventual beloved ruler of the realm, and that small-scale traces of her time in the mortal globe are still visible, but merely to those who know where to look.

Contribute to This Folio

Pan's Labyrinth Faun Wants to Sacrifice the Baby

Source: https://www.imdb.com/title/tt0457430/plotsummary

Share this post